![]() During its installation, he helped design many of the low voltage infrastructure systems and lead the team that installed most of them. Working with the daily tech team at Meow Wolf is only part of Clavio’s contribution to the project. “It takes a different approach from traditional art in Santa Fe.” “You can be classically trained or have attended art school.” Says Clavio. The exhibit is comprised of many different works of art created by professional and amateur artists. “Working day-to-day here is quite an experience.”Ĭlavio credits Meow Wolf with breaking down traditional barriers for artists. “Working at Meow Wolf is super fun-it’s like a Disneyland exhibit,” said Clavio. One such person is UNM student Chris Clavio, who took a sabbatical from studying in the Electronic Arts program to pursue fulltime work with Meow Wolf.Ĭhris Clavio, who studied in UNM's College of Fine Arts Electronic Arts program, working on the laser harp at Meow Wolf. Clavio lead the team that installed most of the low voltage infrastructure systems. The New York Times captured the experience by writing, “nothing about this work of art is behind velvet ropes.”īut there are multiple people running the project’s day-to-day operations behind-the-scenes. Meow Wolf’s “House of Eternal Return” is becoming well-known nationally. Larry Bob Phillips, another UNM CFA MFA graduate, painted the murals in the entrance and the eyeballs in the back hall lining the permanent exhibition. “There are so many facets in this unique world to explore.” “I installed my piece at Meow Wolf, and then came back to help them out because I believe in their mission and want to support the cause as so many folks do,” says Bauer. Later, it was Woods who connected Bauer to Meow Wolf ultimately leading to the prototype being fitted with fake plants for permanent display in the “House of Eternal Return.” UNM alumna Kristen Woods spearheaded the performance aspect of “Eat Me,” which included aerialists on silks serving the food grown from the BETA. During the “Eat Me” exhibition, food grown within the three Livestock pods was harvested and fed to viewers through a series of performances. The hanging chrysalis-like pod has a three-point computer vision system that allows the sculpture to track movement around it and respond to changes in its environment. The sculpture was originally created for his master’s thesis project, “Eat Me.” Russell Bauer, who received his Master’s in Fine Arts (MFA) in Art & Ecology at UNM, has his original work of art, “Livestock BETA” displayed as part of the house. UNM alumnus Russell Bauer's “Livestock BETA” on permanent display in Meow Wolf. The front of the building was adorned with larger-than-life sculptures loudly announcing Meow Wolf’s presence. The building was purchased and almost immediately began a transformation. Over the course of four months, Martin and Meow Wolf hammered out the details. Martin at Martin’s Jean Cocteau Theater and thought Martin might be interested in the prospect of owning the building. Meow Wolf CEO Vince Kadlubek worked for George R.R. The old Silva Lanes bowling alley had been on the market for six years, with only minimal interest. It is apropos that the newly-renovated Meow Wolf Art Complex was born out of a partnership between Meow Wolf, an arts and entertainment production company, and well-known “Game of Thrones,” author George R.R. As Meow Wolf gains national attention and accolades, current and former Lobos say they are thankful to be a part of this unprecedented arts and entertainment experience. An old bowling alley on the south side of Santa Fe has undergone an artistic transformation that promises visitors a unique, multisensory art experience like they have never encountered before. ![]()
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